Daesung of BIGBANG Makes a Triumphant Return to Trot Music with New Album 'Beyond Limit'

Daesung, a member of the popular K-pop group BIGBANG, has made a comeback as a solo artist, diving back into the trot music genre. His new trot album has garnered attention with contributions from fellow BIGBANG member G-Dragon, composer Kush, and TWICE's Sana, who appears in the mood film. Fans are eager to see how Daesung's latest album will stand out in the increasingly competitive trot market.

On October 10th, Daesung released his new album 'Beyond Limit' at 6 PM. The album captures the various moments of love, each infused with different emotions. It includes three tracks: the title track 'Beyond Limit,' the synth-rock based 'A Single Rose,' and the R&B ballad 'Seems Like I'm Alone,' offering a diverse musical experience.

The title track 'Beyond Limit' features clever lyrics that compare the limit of a credit card to the magnitude of love, with lines like 'I'll swipe for you, my helping hand,' 'Worry about it tomorrow, just swipe it,' and 'Love is beyond limit.'

Daesung's venture into trot is not entirely new. He previously showcased his trot sensibilities with the hit 'Look at Me, Gwisun,' proving his wide musical range despite the unusual combination of idol and trot genres. This comeback continues his journey as a trot star.

Several stars have rallied to support Daesung's successful return to trot. G-Dragon and Kush, who collaborated with him on 'Look at Me, Gwisun,' contributed to the composition of the album's tracks. The lineup that once created a hit by blending idol and trot elements is back. Additionally, TWICE's Sana makes a surprise appearance in the mood film, boosting the album's buzz. This has heightened interest on social media and online communities, capturing the attention of a wide age range even before the album's release.

On October 9th, Daesung performed 'Beyond Limit' on KBS's 'Morning Forum,' a strategic move to connect with the primary audience of trot music. During the performance, Daesung showcased his signature charm and vocal prowess. His performance, drawing on his idol experience, was particularly impressive, featuring playful gestures like finger hearts and jacket-flipping in sync with the lyrics.

The trot genre is currently dominated by artists with strong fan bases, such as Lim Young-woong and Lee Chan-won. In this well-established market, Daesung has chosen to return to trot. Known for his versatility across various genres, including vocal ballads, rock, and character-driven concept songs, Daesung's unique style may once again invigorate the trot scene. Fans are keen to see if his return will bring a fresh dynamic to the genre.

Kim Ji-won, TenAsia Reporter one@tenasia.co.kr