MOVIE
Director Ryoo Seung-wan Explores Romance in New Film 'Humint'
On October 20, director Ryoo Seung-wan discussed 'Humint' at a café in Anguk-dong, Seoul. The film unfolds in Vladivostok, where secrets and truths are submerged in icy waters, and characters with different motives clash.
Park Jung-min showcases a new side not only in romance but also in action. When asked about his method for drawing out an actor's potential, Ryoo humorously admitted, "I constantly gaslight them, telling them, 'You're the only one who can do this.'" He added, "Once they achieve it, even the actors are surprised."
When labeled as a 'master of romance', Ryoo laughed, "Sometimes I feel that way." He revealed, "I've always been restrained since my debut and have never filmed a kiss scene." He recalled discussing with Jo In-sung, "How do you shoot a kissing scene? If that day comes, I might need to call someone. This is the maximum level of romance for me."
Ryoo worked on 'Humint' with the theme of 'farewell'. He explained, "I thought a lot about farewells, not just the story of Park Geon (played by Park Jung-min) and Chae Seon-hwa (played by Shin Se-kyung). 'Berlin' was also a farewell story, but the weight of farewell is different now." He emphasized, "Everything eventually ends, and farewells are inevitable. It makes you think about how to part ways and what constitutes a beautiful farewell."
Ryoo shared, "I've been talking with Seung-bum about this lately. He took a break from acting, and I suggested working together, but he wasn't interested." He added, "Seung-bum's current motivation for acting is more for his daughter than himself. As she grows, she might wonder why her dad is always home. He doesn't want to appear unemployed." Ryoo hinted, "I'd like to bring him in front of my camera. Seung-bum also feels it's time to start again."
Having spent over 30 years in the film industry, Ryoo Seung-wan often discusses the future of Korean cinema with his 'persona and close friend' Jo In-sung. Ryoo expressed, "We think about how to nurture the next generation and pass on the playground we enjoyed. I want to return theaters to being a playground for audiences."
Commenting on the current state of Korean cinema, Ryoo remarked, "We can't help the changing times. It's not just about blaming success or failure." He compared theaters to public baths, noting, "After COVID-19, more than half of the public baths in Seoul disappeared. People might ask why go to a bathhouse when you can shower at home. But some remember scrubbing and drinking banana milk there. To attract people, there needs to be something better, like a sauna or baked eggs. It's the same with movies."
Kim Ji-won, TenAsia Reporter bella@tenasia.co.kr