Director Alina Chevik Discusses the Challenges and Triumphs of Bringing 'Anna Karenina' to Life

"When I first read the original novel, I couldn't understand Anna. I was angry at all her actions, from her unwanted marriage to childbirth. But as I began to understand her, I eventually fell in love with her."

In an interview at a hotel in Jongno-gu, Seoul, Alina Chevik, the director of the musical 'Anna Karenina,' shared these thoughts.

Set to meet audiences on the 20th, 'Anna Karenina' is based on the novel by Russian literary giant Leo Tolstoy. The story, set in the late 19th-century Russian aristocracy, explores themes of love, marriage, and family issues. Chevik directed the original Russian musical 'Anna Karenina' and is also directing this domestic performance.

This season marks the return of the licensed performance after approximately seven years since its 2019 revival, generating buzz. Chevik reflected on the seven-year gap, stating, "The impact of COVID-19 was significant, and there were many considerations, such as contracts, before setting up the performance."

The musical also drew attention due to the 'casting monopoly controversy' involving actress Ock Joo-hyun. Although Ock Joo-hyun, Lee Ji-hye, and Kim So-hyang were cast for the title role of Anna, it was revealed that Ock Joo-hyun would perform in 23 out of 38 shows, sparking controversy. Chevik emphasized, "The situation was agreed upon among the actors."

The male lead, Vronsky, is also triple-cast with actors Yoon Hyung-ryeol, Moon Yoo-kang, and Jung Seung-won, differing from the double-casting structure of the original and revival performances. Chevik noted, "It's hard to refuse when there are good actors," adding, "I thought it would be good to give the audience options to see various actors' performances. They will be able to feel the nuances of each actor."

As this is their third collaboration, Chevik feels a sense of unity with the domestic actors. He said, "In 2018, it felt like the Korean actors were accustomed to the Broadway style, so an adaptation period was needed. Now, the actors seem to easily accept the directorial aspects, which is comfortable."

"Korean actors practice really hard. Even though rehearsals start at 10 a.m. and they seem tired, they never complain. It's really impressive."

The production addresses not only family issues but also the societal double standards based on gender. Chevik explained, "Even though society has improved compared to the past, there still seems to be an old male-centric perception. There are instances where something forgivable for a man is not forgiven for a woman. Anna resisted for her happiness and love for this reason."

Chevik admitted to having negative feelings when first encountering Anna in the novel. He confessed, "I couldn't understand why Anna had children, and my dislike for her continued. It was challenging as someone who had to present the work to the audience."

Chevik, who initially worried, "Why should I embrace this work?" and "How can I make the audience love this heroine?" sought to understand Anna. He added, "I can't reveal everything, but Anna fought against her life for love and happiness. When I realized this, I was moved and began to see Anna as remarkable. From then on, this work stayed close to me."

"'Anna Karenina' is like a child to me. Sometimes I want to focus on other works, but I feel like I need to stay by 'Anna Karenina' and watch over it."

With the ongoing war in Russia in mind, Chevik expressed, "I believe art brings people together. Regardless of the world's political situation, I think it's a meaningful work."

"It felt like exchanging art without borders, and I enjoyed the entire process. I'm also looking forward to the reviews from Korean audiences."

Finally, Chevik emphasized, "Although 'Anna Karenina' is a 19th-century work, gender-discriminatory views are still felt in media and social media. Prejudice against a person is still a hot topic worth discussing today. It's not just a love story."

Meanwhile, 'Anna Karenina' will be performed at the Grand Theater of the Sejong Center for the Performing Arts in Seoul until March 29.

Reporter Dayeon Jung, TenAsia light@tenasia.co.kr