The Enigmatic Journey of Jang Yeong-sil: From Joseon to Renaissance Europe in 'The Man in Hanbok'

The genius scientist Jang Yeong-sil, who vanished from Korean history, finds peace 600 years later, thanks to his descendants. The notion of 'Jang Yeong-sil going to Rome' might seem unexpected, yet it leaves a lingering impression. The creators of 'The Man in Hanbok' have crafted a grand finale for a figure who expanded the horizons of Korean science and technology.

The musical 'The Man in Hanbok' (hereafter 'Hanboknam'), which has been captivating audiences at the Chungmu Art Center since the 2nd, is based on the novel of the same name by author Lee Sang-hoon. It combines history and imagination to explore the mysterious final days of Jang Yeong-sil, a genius scientist from the Joseon Dynasty, creating a new narrative.

Jang Yeong-sil's birth is recorded between 1385 and 1390, but his death remains undocumented. Historians suggest it was after 1442. Disappearing from history, Jang Yeong-sil is reborn on stage in 'Hanboknam'. The creators imagine Jang Yeong-sil leaving Joseon for Europe, crafting a second act of his life.

The story begins with a mysterious book. Jin-seok, a TV producer, receives a 'memoir' from Elena, an Italian. Inside, he discovers a blueprint for a 'bicha' (a flying device from the Joseon era). Jin-seok notes its resemblance to Leonardo da Vinci's flying machine designs and its similarity to a painting by 17th-century European artist Peter Paul Rubens. Using these clues, Jin-seok and his friend Kang-bae pursue the truth behind the memoir.

Act 1 transports audiences 600 years back to Joseon. The era is vividly brought to life with detailed backgrounds and visuals. The ensemble captures the grandeur of the palace, and Jang Yeong-sil's inventions are depicted with intricate props, showcasing his extraordinary talents. This immersive experience captivates the audience instantly.

Born a slave, Jang Yeong-sil displayed his brilliance from a young age through various inventions. Recognized for his talents at a palace competition, he gained entry into the royal court. The king's remark, "The people must develop technology themselves because the king is incompetent," reflects King Sejong's genuine concern for his country, the same king who created the Korean script, Hangul.

Jang Yeong-sil was a close confidant of King Sejong, participating in astronomical instrument projects and creating devices like the water clock and armillary sphere, earning the king's favor. However, he became embroiled in an incident where the king's carriage suddenly broke, leading to severe torture and his subsequent disappearance from history.

In Act 2, Jang Yeong-sil reappears in Renaissance Europe. After a five-year voyage, he begins anew in Italy. Unlike Act 1, the actors portray Jang Yeong-sil's final days with solemnity and care. In Europe, he meets Leonardo da Vinci, a fellow curious mind, and finds solace, becoming a shining star in the sky.

Um Hong-hyun, the executive producer of 'Hanboknam', stated, "We are familiar with the name Jang Yeong-sil, but we have been indifferent to his life. Without him, the scientific advancements we enjoy today might not exist. We wanted to bring his life and dreams back to the stage."

The stage features numerous stars in the background. Writer Kwon Eun-ah explained, "I wanted to convey the message that one can be happy without chasing grand dreams." She added, "I hope audiences will reflect on 'What is my star?' while looking at the stars created by Jang Yeong-sil and King Sejong."

Reporter Dayeon Jeong, Ten Asia light@tenasia.co.kr