KISS OF LIFE's 'Igloo' Climbs Charts Globally, Solidifying Their Status as a Rising Icon
KISS OF LIFE's 'Igloo' Climbs Charts Globally, Solidifying Their Status as a Rising Icon
K-pop group KISS OF LIFE has once again achieved a remarkable chart resurgence.

The track 'Igloo' from their recently released mini-album 'Lose Yourself' has been gaining traction, achieving impressive results on both domestic and international charts. As of the morning of the 11th, 'Igloo' secured the 63rd spot on Melon's TOP 100 chart and has also appeared on major Korean charts such as Bugs, Flo, and Genie.

Furthermore, 'Igloo' has made its mark on Spotify's daily charts in countries including South Korea, Singapore, Taiwan, Malaysia, Hong Kong, and Indonesia. It has also been featured on Apple Music in South Korea, Malaysia, Indonesia, and Singapore. On YouTube Music's weekly chart, it ranked 8th in South Korea and is gaining momentum in regions like Nigeria and Indonesia.

'Igloo' is an R&B hip-hop track with a message that even an igloo, which doesn't melt from internal heat, can be melted by their unique charm. The song stands out with its catchy melody, edgy rapping, and dreamy vocals. Its distinctive and confident attitude, along with chic vibes, have sparked numerous challenges, boosting its popularity alongside the title track 'Get Loud'.

KISS OF LIFE's debut album's title track 'Shhh' and Natty's solo track 'Sugarcoat' experienced a rare chart resurgence towards the end of their promotional activities. Their mini-album 'Born to be XX' also showed a rising trend with the title track 'bad News' and double title track 'Nobody Knows' continuing to chart three months post-release. With their latest mini-album 'Lose Yourself', KISS OF LIFE has solidified their status as an icon of chart resurgence.

Meanwhile, KISS OF LIFE has embarked on their first world tour 'KISS ROAD', following their Seoul performance. They recently received an explosive response from fans in Minneapolis, USA, and are set to continue meeting global fans through upcoming performances.

Reported by Min-Kyung Lee, TenAsia 2min_ror@tenasia.co.kr